Source: http://www.adzines.com/Book-Marketing-Articles/Five-Tips-To-Consider-When-Choosing-A-Publisher/6443

Choosing a publisher probably seems like a complicated task, however, you may find the process somewhat less challenging if you consider the following five suggestions.

1. Research the legitimacy of your prospective publishers. Consider factors like: how long they’ve been in business; how many books they’ve published; what types of books they seek; how successful their published books are. etc…
2. Do not assume that the giant publishing houses, which put out more than 200 books annually, are your best option. The competition is obviously arduous with these organizations.
3. Refer to industry bibles like: The Writer’s Market.
   These respected resources will provide information like: what kinds of books each publisher prefers; contact information for editors; tips on how to submit your proposal and more.
4. Find books similar to yours and make a note of each publisher’s name, address, website etc… Search for related books online at amazon or barnesandnoble.
5. Consult other published authors for their personal advice. You easily do this online by joining a professional association – you can find a list of numerous such organizations on this page.
   You can also use the web to seek help from other writers by enrolling in a writer’s group, participating in discussion forums, or asking for feedback in critique circles. You may find writing groups and professional associations for writers in your local community as well.

Resource Box – © Danielle Hollister (2005) is the Publisher of Ezine For Writer – A free newsletter for writers featuring news and links to the best resources for writers like – freelancing & jobs, free ebooks & software, markets & publishers, classes & contests, publications seeking submissions, self-publishing information, and much more. All new subscribers get one free ad. Read it – http://www.bellaonline.com/articles/art157.asp

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Source: http://www.avidarticles.com/Article/Learn-How-To-Obtain-the-Most-Out-of-Article-Marketing-When-Promoting-Your-Business-On-line/179348

By: Robert Nichols

If you have a web site or run an online business, then you use different varieties of advertising and online marketing. The foremost powerful on-line marketing methods is article selling and this could mean the difference between success and failure of many on-line businesses but you’ll be surprised to be told that a lot of webmasters utterly ignore this service or do not grasp how to go about doing this correctly. If you’re utterly knew to the web then you wish to grasp that article marketing is the process of writing net articles for onward transmission to article directories. Article marketing could be a form of written marketing strategy to come up with free traffic to your web page. These articles are keyword-centered articles that you submit on article sites that then syndicate your content.

One in every of the most benefits of article promoting is that it is very price-effective technique of promoting your internet website and on-line business and improves your search engine rankings in the process. Article selling is an excellent on-line advertising answer that ought to be utilised by everyone, whether or not or not they’ll write. Article selling is a selling method that will build your name, brand and voice go viral, which means what you write will slowly be spread out on the Internet. Article marketing is taken into account a viral promoting method because from a single article one can obtain dozens or perhaps tons of references to their name and website, that is why article selling is regarded as a highly effective marketing tactic.

The Best Means To Distribute Your Articles

Writing nice articles is not the be all and end all of article marketing. Your article may be of mediocre quality but if you distribute it in the right manner then you’ll be amazed how much your on-line business will benefit from article marketing.

However exactly how should one go about the distribution of ones article?

Well, you have a couple decisions here. Thus let me tell you how I went about it till I discovered that it had been therefore straightforward, if you knew the right way. The primary place virtually each body starts is by manually distributing your article to all or any the article directories and this can be what I additionally did. If you have got done this than you will grasp how slow and tedious this task will be and it took me most half of a complete day to submit one article to simply a few directories and the simplest benefit that I gained was a big headache at the top of the day.

Once doing manual distribution for a few days, I assumed that there should be a higher manner and started looking around for easier ways that to do this and I finally stumbled on to article submission software. I used to be very excited regarding this because as the sales letters of these software promised, I ought to be in a position to submit my article to many article directories and ezines at the bit of a button. But alas, this excitement was short lived because while I installed the software and got to figure, I discovered that it wasn’t as automatic because the sales letter had promised. I still required to register with all the article directories and then login to submit my article. This proved to be very time consuming further and you still had to attend for ages for your article to be approved. I was almost at the verge of jilting on article marketing for good until I discovered a service that changed every thing for me.

The service that made article submission simple is named Article Marketer. One thing that I found fascinating was that not like a ton of others on the web, these folks actually delivered what they promised. With this service my article distribution is fully automatic, it only takes me a jiffy to submit my article and then Article Marketer gets to work. My article is 1st reviewed by my article coach and once approved, it’s distributed to many article directories and ezines within minutes and as a result of it has already been stringently reviewed, it is approved straight away. With this sort of article distribution, I’m ready to create the foremost of my article promoting as a result of it’s distributed to therefore many a lot of sites than any alternative service. This conjointly leaves me masses of time to concentrate on different aspects of my online business.

Article Source: http://www.avidarticles.com

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Source: http://www.bookbuzzr.com/blog/book-marketing/the-10-commandments-of-nonfiction-book-title-success/

The following Commandments are based on identifying the characteristics commonly found in successful nonfiction book titles.

Used by themselves, and in combination with each other, these following can help you choose a nonfiction book title that accurately describes why readers should pay attention to your book, is easy to say, and easy to remember.

Why nonfiction book titles matter

The title you choose for your nonfiction book plays a “make or break” role in its success.

Choose the right title, and you establish instant rapport with your intended readers. The right title clearly indicates who should buy your book, why they should buy it, and how they will benefit from your book.

Choose the wrong title, however, and your book becomes invisible! Just as the headline is the most important part of an advertisement, the title is the promise that attracts readers (and search engines) to your book and engages their interest.

Here are 10 time-tested ideas you can use to choose the right nonfiction book title.

1. Make an obvious promise.

Choose a title that clearly describes the change your book will help readers enjoy. Readers buy non-fiction books for a purpose. The best titles promise to solve a problem or help readers achieve a desired goal. Your readers are looking for help, not entertainment!

Compare the following two titles:

• Graphic Design Tools & Techniques
• Looking Good in Print: A Guide to Basic Design for Desktop Publishing

Which do you think sold best 20 years ago, and continues to sell? Hint: the first title simply tells what the book is all about. The second title emphasizes the benefits that readers will enjoy, expressed in a familiar, conversational way.

A popular formula is to partner a short title with by a longer, explanatory, subtitle, as Malcolm Gladwell did with The Tipping Point: How Little Things Can Make a Big Difference.

2. Identify your target readers.

Identify your intended readers in your book’s title. Prospects will want to read your book because it sounds like it was “written for them.” You can target your market by naming them, or describing their characteristics. Either way, the more obvious you are, the better. Here are some ideas:

• As an example of an obvious title, consider C. J. Hayden’s Get Clients Now: A 28-day Marketing Program for Professionals, Coaches, & Consultants.
• Or, you can identify your market by describing what they’re not, the way Robin Williams did in her Non-Designers Design Book.
• You can also identify your market by describing the circumstances they’re experiencing, i.e., Cooking for Two.

3. Be as specific as possible.

Use numbers to add credibility and urgency to your titles. For example:

• Use numbers to provide structure for your information, as in Steven Covey’s The 7 Habits of Highly Effective Individuals. In this type of book, once you’ve identified the habits, secrets, keys, or steps, your book is well on its way to completion.
• Numbers can make big goals appear easy to achieve, by breaking them into a series of easy-to-accomplish tasks, like 6 Steps to Take Your Marriage from Good to Great.
• You can also use numbers to emphasize how quickly readers can attain the change they’re looking for. In this case, the numbers communicate a timetable for success, as in Jay Conrad Levinson and Al Lautenschlager’s Guerrilla Marketing in 30 Days.

Numbers can add urgency to a book title while making it memorable, as 21 Pounds in 21 Days: The Martha’s Vineyard Diet Detox shows.

4. Differentiate your book from the competition.

Nonfiction book titles should position, or set a book apart from its competition. You can set a book apart from its competition by emphasizing:

• The market you wrote the book for
• The symptoms your book addresses
• Your credentials and qualifications to write the book
• The process or technique employed to solve a problem or achieve a goal

One of the best examples of positioning is the …for Dummies series, i.e., Red Wine for Dummies. The success of the series, with more than a thousand titles, is obvious. In the red wine example, if you’re an informed wine buyer, you wouldn’t be interested at all in the title. But, if you’re just developing your appreciation for red wine, you’ll immediately gravitate to the title.

The …for Dummies series succeeds because everyone is a dummy in new and different fields. By poking fun at those who are supposedly “experts,” the “Dummies” series creates a community among those who are willing to admit that they don’t understand a topic, but want information presented in an informal way.

An example of book positioning based on emphasizing process is: Prevent & Treat Cancer with Natural Medicine.

5. Engage your reader’s curiosity.

Curiosity, which can be created by using unexpected words or contradictory terms, can also add interest to your book and help set it apart from “duller” treatments of the same topic.

An excellent example of using opposites to arouse interest is David Chilton’s The Wealthy Barber. The contradiction between “wealth” and “barber” compels readers to to find out “how” and “why” by reading the subtitle, The Common Sense Guide to Successful Financial Planning.

Another example of a curiosity-invoking, “What could he possibly mean?” title is Ian Ferrazzi’s Never Eat Alone.

6. Use a metaphor to make titles easier to understand and remember.

Metaphors make it easy for readers to “picture” what you’re talking about. They’re also easier to remember. Jay Conrad Levinson’s Guerrilla Marketing communicates its promise of describing unconventional ways to achieve success.

Another example of a successful metaphor-based series is the Chicken Soup for the … series. Chicken Soup is a metaphor for relief from pain, arousing memories of the meal mothers and grandmothers have traditionally served family members in need care and nuturing when they’re under the weather.

7. Choose the right tone of voice.

The verbs you use in your book title plays an important role in the way readers will approach your book.

• Imperative or action verbs. Imperative titles begin with a silent “you;” they communicate in an action-oriented, conversational, way. Notice the implied action in Get Clients Now and Book Yourself Solid.
• Gerunds. Or, you can use “ing” verbs to communicate an on-going process, i.e., my Looking Good in Print or Michael Stelzner’s Writing White Papers.

8. Be as concise as possible.

Conciseness leads to impact. Think of your book’s cover as a billboard alongside a busy highway. The fewer the words, the larger the type size they can be set in. A title with a few, short words can create far more impact longer titles containing longer words.

Use the minimum number of words needed to explain what your book is about, e.g. Content Strategy for the Web. Nothing more is needed.

Combine a short title with a longer subtitle that provides additional details. An example is the 2-word title and 17-word subtitle used in Skinny Bitch: A No-Nonsense Guide for Savvy Girls Who Want to Stop Eating Crap and Start Looking Fabulous.

9. Write the way your market speaks.

State your book’s promise in words your readers will immediately understand. The best titles have an almost juvenile obviousness, or transparency. Readers should be able to understand your book’s promise at a glance, like Michael Port’s Book Yourself Solid or Scott Belsky’s Making Ideas Happen: Removing the Obstacles Between Ideas and Reality.

Nonfiction book titles can never be too simple or too obvious., e.g., Michael Larsen’s classic and always popular How to Write a Book Proposal and How to Get a Literary Agent.

10.  Choose a web-friendly book title.

Choose book titles that contain the words your market uses when searching for resources on the Internet. Even if your book is intended for trade publication and sale in bookstores like Barnes & Noble or Borders, your market is likely to search online before visiting their local bookstore.

Titles like Writing White Papers enjoy a decided advantage over books with more “creative” titles that won’t be visible to search engines and those that use them to locate resources.

When you begin to get serious about a title, see if the website URL is available. Register it as soon as possible. If the exact title isn’t available, try adding words like “online,” as I had to do with www.designtosellonline.com.

Combining the 10 Commandments

Although the above 10 characteristics of effective nonfiction book titles are listed individually, the best titles usually include 2, or more, of characteristics combined together.

For example, start with a short, clear, metaphor or a curiosity title that communicates a promise of change. Support it with a longer, explanatory, subtitle that elaborates on the benefit or targets your intended reader.

While researching the competition and analyzing best-selling nonfiction books in different categories, take the time to identify the different techniques used in the titles you run across.

For example, what are the Commandments used in, The Dirt-Cheap Green Thumb: 400 Thritfy Tips for Saving Money, Time, and Resources as you Garden.

No formulas, but…

I’ve always loved nonfiction books and nonfiction book titles, and have long enjoyed deconstructing them.

The main lesson I learned writing #Book Title Tweet: 140 Bite-Sized Ideas for Compelling Article, Book, and Event Titles, it’s that while there are no universal “formulas” to nonfiction book title success, there are techniques and tools you can use- -like surveys- -to improve your chances of choosing the right nonfiction book title.

Happy book titling!

Roger C. Parker, is a “32 Million Dollar Author,” book coach, and online writing resource. His 38 books have sold 1.6 million copies in 35 languages around the world. About his ‘Looking Good in Print’ the New York Times said, “…the one to buy when you’re buying only one!”
Roger has interviewed hundreds of successfully branded authors. He distils his experience in this book and shares what he learns at Published & Profitable, and on his Writing Tips blog.

His latest book is #Book Title Tweet: 140 Bite-Sized Ideas for Compelling Article, Book, and Event titles.

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Source: http://www.bookbuzzr.com/blog/book-marketing/self-publishing-in-baby-steps/

Guest Author: Carolyn Watson Dubisch

Becoming a publisher was the last thing from my mind when I graduated from The School of Visual Arts in NYC in 1993 with my BFA in illustration in one hand and my children’s book portfolio in the other. I just draw the pictures and the publisher writes the checks, or so I thought. After 10 years of drawing pictures for children’s magazines and submitting and submitting my children’s book dummies for review,(sometimes getting as far as “the committee” only to be turned down after months of waiting), I decided to become a publisher.

I self published my first children’s book in 2001 and jumped right in to library fairs, and school visits. Sales were slow… Slower still was the internet back then. There was no Twitter or Facebook, at least not like it is now. Reviewers were not so interested in self-published books, so getting any was hard and I wound up donating a lot of my stock to Toys For Tots in the end. Even after all that I kept self publishing. I published 5 more books for children, and one thing I noticed every time was that once the creative part was done and my book was in my hand, my energy for promoting each title dwindled after a couple of months.

After my last book, “Night of The Armadillos” came out in early 2007, I realized this just wasn’t working for me. Children’s books is a glutted market and I didn’t feel I had the energy or the funds to get noticed this way. With my husband’s encouragement I moved on. He suggested trying my hand at comics, which as a market is full of independently published books that are not looked down upon like in children’s books. So I began to draw “The Horribles”, a gothic fairytale about a cast of monsters.

I spent a year writing and drawing 36 pages and felt ready to put it together as a book, but we didn’t really have the money to invest in publishing right then. Also we were living in Argentina at that time and working with a printer in English was hard enough, getting what I wanted in Spanish was more than I felt ready for. After thinking long and hard about it, I decided to try posting it as a webcomic. I checked into several online sites and on September 21st 2008 I launched “The Horribles” as a webcomic on SmackJeeves.com.

The webcomic format was exactly what I needed. Each Monday a new page of “The Horribles”goes up online, and I always have a new page to promote. Since I keep creating more of “The Horribles” I have yet to lose momentum promoting it. My readership was growing to over 600 a week and I started posting it on two more sites. I wasn’t even thinking about printing it, but then I received a letter from my alma matter in New York City. They were putting together a show for their gallery in midtown about “the graphic novel” and wanted to know if I had a book they could review. So I compiled “The Horribles” and rushed a pdf off to Lulu.com. In a matter of days I sent them a copy of my “new book”. It was accepted into the show, and now I was “published” again!

The show “Ink Plots” opened on October 8th and is having an opening with free food and drinks this Thursday. This time around I’ve managed more reviews and visibility. I use Facebook, Twitter, MySpace, Jacketflap and made more connections than I could have hoped for before. I’ve read excerpts and done interviews on talk radio, and was recently reviewed on a webtv show called “Dr Twistid”. I’m really enjoying having this book out and look forward to releasing “The Horribles, Book 2″.

Carolyn has published several children’s books through her own independent publishing company as well as contributed short stories and articles for Highlights for Children among other magazines, websites and audio productions. Carolyn expanded her range to comics with the launch of her popular all ages web-comic”The Horribles,” and the original web-comic of “The People That Melt In The Rain.” Look for “The Horribles” graphic novel on amazon.con and look for Carolyn ducking down under the shade of the palm trees in San Diego, CA.

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Source: http://www.avidarticles.com/Article/See-How-Easily-You-Can-Learn-Book-Printing/70561

By: Thomas Goodlet

When it comes to book printing the options available are varied and the best thing you can do is to find a company that produces the best quality and has the best printing service. The companies that offer this service will let you know of the various options that are included in the printing process of a book. Some of the processes involved in book printing include:

Binding – When it comes to binding, it can be perfect binding where the book pages are milled at the spine and then they are joined to the cover. This is the most commonly used method when it comes to paperbacks.

Book Bodies – Here the cover of the book is tabulated which is normally 50# or 60# on white paper, 55# on paper that is natural, 48 to 1024 pages, one or two pages of color text or even color inserts.

The covers used on a book – The size of book covers will vary from book to book. There are those that will have covers of 10 to 20 points. Some books are published with a cover that has a smooth stock that is not coated, while there are those that are laminated using GBC Lay Flat Film. You can also have the publisher use full color options for your book.

Many of the existing publishers can run prints of between 250 and 50,000 copies in a day. This may sometimes vary among the publishers. You should then decide putting in mind the date of release of your book and the total book publishing cost. Some features exists which you can choose to apply in your book but can not be applied to all books. You can help yourself by making a request to your publisher for him or her to include some special features. You can for example have him or her include a barcode in which you can put the name of the book, the ISBN number and its price. This feature will help in identifying the book in a library or bookstore therefore making sales easier.

If your book has full color photos, color separation may come in handy because it will be placed on the cover as it is through scanning. When the printing of a book has extended to more than the edge of the page after trimming it the words may not have adequate coloring. For this reason, you should use a publisher who will offer you bleed.

Article Source: http://www.avidarticles.com

Thomas Goodlet, a successful entrepreneur has launched a book printing and publishing service which offers remarkable enhancements on the look of the books and newsletters making them exceptional. For more information visit the website www.book-printing-for-less.com.

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Source: http://www.adzines.com/Book-Marketing-Articles/Navigating-the-Amazon-Sales-Ranking/6441

First, the disclaimers: Since the algorithm Amazon uses to generate its sales ranking is proprietary, the details contained herein are extrapolated from research and field tests. The resulting consensus finds Amazon’s system to provide marginal sales data at best.

To whit, read Amazon’s own definition of its system, slightly paraphrased from their FAQ: “The Sales Ranking system exhibits how books are selling. The lower the number, the higher the sales. The calculation is based on sales and is updated each hour to reflect recent and historical sales of every item sold. We hope you find the Amazon.com Sales Rank interesting!” This last sentence seems to indicate Amazon’s own perspective on the importance with which the sales rankings should be viewed.

You’re not supposed to find the sales rankings informative or helpful. You’re supposed to find them interesting.

In actuality, the process is somewhat more convoluted than they let on. Only the top 10,000 books are updated every hour and the ranking does not depend upon the actual number of books sold, but rather, on a comparison against the sales figures of the other 9,999 books within that same hour. Simultaneously, a trending calculation is applied to arrive at a computerized sales trajectory. So, hypothetically, a book that held a ranking of 2,000 at 2pm and 3,000 at 3pm, might hold a 4,000 ranking at 4pm, even if it actually sold MORE books between 3-4 than it did between 2-3.

Books with rankings between 10,000 and 100,000 are recalculated once a day, rather than once an hour. Current projections, as well as historic sales information play a key role in these calculations. In fact, the predictive nature of the Amazon ranking system is what makes it possible for a newly-released book to outrank an older established title, even though the actual sales figures for the latter far exceed the former.

Books with rankings over 100,000 are also recalculated every day and applied with historic sales information and projections, although in the case of these books, history takes a back seat. Sales projections and trending take an active role here, which is why a book’s ranking can leap from 900,000 to 200,000 in the span of 24 hours or less. Does this mean the book has sold 700,000 copies in 24 hours? Absolutely not! What it does mean is that recent activity (i.e. purchases) for that book is trending higher than those 700,000 books it just surpassed. But, don’t get excited just yet; since the activity of those 700,000 other books range from slow to stagnant, one or two orders are sufficient to catapult a ranking.

If a book’s ranking breaks into the top 100,000, the sales history calculation starts to rear its head, which is why a “phenomenon” book has a hard time maintaining a high, legitimate ranking. A phenomenon is defined by a book that leaps from the high hundred-thousands into the lower thousands (or better) in the span of 24 hours or less, usually due to some concentrated marketing initiatives. Since Amazon’s sales history for that title doesn’t support the leap, the spike occurs and then quickly drops again.

HOW DOES ALL THIS TRANSLATE TO ACTUAL SALES FIGURES?

Since the data is recalculated every hour and/or every day (depending upon a book’s current ranking), it’s impossible to get cumulative sales figures, although those figures are applied to the algorithm during the calculation. No, to get a very rough idea of the actual number of books being sold, the sales ranking has to be dissected dynamically, with the same immediacy as the ranking being calculated, (hourly for top 10,000 books or daily for top 100,000 books). Chart the ranking of a top 10,000 book every hour for 24 hours and divide by 24 to arrive at its average daily ranking. In the case of a top 100,000 book, take its ranking every day for 7 days and divide by 7 to arrive at its average weekly ranking.

Bear in mind that this next piece of information is extremely arbitrary, based upon sales ranking/sales figure comparisons and data received from third party sources. In other words, it’s probably completely wrong. But rather than disclaiming this chart until the cows come home, I’ll just say this: It is difficult to make sense of something that doesn’t make sense. But it sure is interesting, and now, perhaps, even slightly helpful.

If the book’s average ranking is:

• 2,000,000-plus, then perhaps a single inventory/consignment copy has been ordered.
• 1,000,000-plus, the current trends indicate total sales will most likely be under 40.
• 100,00-plus, then current trends indicate total sales will most likely be under 200.
• 10,000-plus, you can estimate between 1 – 10 copies are being sold per week.
• 1,000-plus, you can estimate between 10 – 100 copies are being sold per week.
• 100-plus, you can estimate between 100 – 200 copies are being sold per week.
• 10-plus, you can estimate between 200 – 1000 copies are being sold per week.
• In the top 10, you can estimate over 1,000 copies are per week

Brent Sampson is the President & CEO of Outskirts Press Publishing at OutskirtsPress.com and author of Publishing Gems: Insider Information for the Self-Publishing Writer. Information at http://outskirtspress.com/publishinggems

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Source: http://www.adzines.com/Book-Marketing-Articles/How-to-Get-Your-Book-Reviewed/6433

Imagine your book at the top of the Best Sellers List of the New York Times. Most authors do. The question is, “How do I get it there and sell millions of copies?”

When planing your book, there is one critical thing that most authors forget – marketing. In the case of book reviewers this means pre-marketing.

Most reviewers require a copy of your book at least three months before publication. This is because most book reviewers need time to read it and review it plus publish all the reviews on books that they have reviewed for those who came before you. Also many publications come out on a weekly or monthly basis instead of daily. This means that book reviewers have a huge backlog.

So the best way to get a book reviewers to review your book, is to get them a quality copy of your manuscript or a galley, as soon as possible.

What if your book has already been published?

Is it too late to get a book reviewer to review your book? In some cases yes and in some no. There is an easy way to get your book reviewed without calling it a review.

Send out a press release.

Create a press release about your book and submit it to your local newspapers, magazines and radio stations. Make it interesting. Don’t just say Mary Joe Piper has just published her newest book Babes on Parade. Think about your story and what it can teach people. Does it have a theme about love or friendship or settling disputes?

Use the issue in your press release. Teach people how to solve their problems and then have the person interviewing you mention your credits, as a published author. At that point your book will be mentioned, you will have done them a service, and you will have saved thousands of dollars on marketing and query letters to editors.

Here are just a few sites that you can go to to submit your pre – publication book:

Book Reviewers:

• Terrie Bittner
  Bellaonline.com: Children’s Books
  childrenbooks@bellaonline.com

  http://www.bellaonline.com/entertainment/children.html

  Categories: Children, Children’s Religion, Young Adult – Children Query first.

• Sandy Cummins
  Writers Exchange Book Reviews
  PO Box 372
  Atherton, QLD 4883
  writers@writers-exchange.com

  http://www.ozemail.com.au/~pjcsjc/book-review.htm

  Categories: Computer/Internet/Technology, Children, Christian, Fiction, How-To, Non-Fiction, Religion, Romance, Sci-Fi/Fantasy, eBooks, Writing, promotion & publishing

• Anne Douglas

  http://www.bookideas.com

  emailanned@yahoo.com

  http://www.bookideas.com

  Categories: Art, Books From Small Presses, Children, Cookbook, Fiction, Literature, Mystery, Pop Culture, Women, Young Adult – Children, Biography, Parenting. Particularly interested in American art and children’s books.

• Apryl Duncan
  FictionAddiction.NET
  Box 876
  Chattanooga, TN 37343
  ReviewRequest@FictionAddiction.NET

  http://www.FictionAddiction.NET

  Categories: Books From Small Presses, Children, Fiction, Literature, Mystery, Romance, Sci-Fi/Fantasy, Young Adult – Children, Thriller/Suspense, Writing, promotion & publishing, Adventure, Horror

• Melanie C. Duncan
  Bookdragaon Review (ISSN 1527-0157)
  444 Forest Hill Road, #813
  Macon, GA 31210
  MCDuncan@bookdragonreview.com

  http://www.bookdragonreview.com

  Categories: Fiction, Young Adult – Children Comments: All genres fiction only. Please query before sending an e-book. Attachments are deleted if not specifically requested. Traditional galleys may be sent without a query, however please read the FAQs at the website before sending.

• Linda Eberharter
  Fiction Forest
  7042 Cohasset Ct.
  Indianapolis, IN 46226
  Phone: 317-549-3038
  linda@atlanticbridge.net

  http://www.atlanticbridge.net

  Categories: Children, Fiction, Mystery, Romance, Sci-Fi/Fantasy, Thriller/Suspense, eBooks

• Detra Fitch
  Huntress Book Reviews
  205 Dana Drive
  Easley, SC 29642
  huntress@huntressreviews.com

  http://www.huntressreviews.com

  Categories: Children, Fiction, General, Romance, Sci-Fi/Fantasy, Young Adult – Children, Thriller/Suspense, Adventure, Horror

• Denise Fleischer
  Gotta Write Online
  515 E. Thacker
  Hoffman Estates, IL 60194
  Phone: 847 882-8054
  Netera@aol.com

  http://members.aol.com/gwnlitmag/

  Categories: Mystery, Romance, Young Adult – Children, eBooks, Writing, promotion & publishing. Authors can also make guest appearances on the AOL chat she co-hosts on Tuesdays from 10-11 PM ET. Writers: keyword, chatrooms, Writer’s Grill.

• Jessica Holmes
  Romance At Its Best, Midnight Reviews
  owner@romanceatitsbest.com

  http://www.romanceatitsbest.com/

  Categories: Books From Small Presses, Fiction, General, How-To, Literature, Mystery, Non-Fiction, Romance, Sci-Fi/Fantasy, Women, Young Adult – Children, Biography, Thriller/Suspense, eBooks, Self-help, Writing, promotion & publishing, Inspirational/Motivational, History/Political, Adventure, Horror

• Dave Jenkinson
  CM/Canadian Review Materials
  Faculty of Education,
  University of Manitoba
  Winnipeg, MB R3T 2N2
  Phone: 204-474-8780
  e-Mail: jenkinson@ms.umanitoba.ca

  http://www.umanitoba.ca/cm/

  Categories: Audiobooks; General, Children, Young Adults

• Jeanne Kelly
  1928 Mid Road
  Colorado Springs, CO 80906
  Phone: 719-291-2309
  e-Mail: whitebison@mail.com
  Categories: Audiobooks; Children, Health, Metaphysical, Spiritual, Women, Self-help, Writing, Inspirational, Motivational
• Jeanette Lambert
  Tennessee Tribune
  6940 Sunderland Circle
  Nashville, TN 37221-4621
  Phone: 615-321-3268
  jbl96@aol.com
  Categories: Children, Cookbook, Fiction, General, How-To, Library, Lifestyle, Mystery, Non-Fiction, Reference, Sociology, Travel/Hospitality, Women, Young Adult – Children, Biography, Thriller/Suspense, African-American Fiction and Nonfiction , Self-help, Writing, promotion & publishing, Education
• Jennifer L. B. Leese
  AStoryWeaver’s Book Reviews
  311 Frederick Street
  Hagerstown, MD 21740
  AStoryWeaver@aol.com

  http://www.geocities.com/ladyjiraff/aswbr.html

  Categories: Children, Young Adult – Children. Ebooks should be sent to home address on disc or in printed format. Please supply all information needed to properly review your book and where to send the review when done. For faster responses, the review can be sent to you via email.

• Cathi Dunn MacRae, Editor
  VOYA
  Scarecrow Press
  4720 Boston Way
  Lanham, MD 20706
  voya@voya.com

  http://www.voya.com

  Categories: Young Adult & Children

• Sandra J. Morgan
  Cloudy Mountain Books/The Fiction Forest
  2 Bow Mills Road
  Center Barnstead, NH 03225
  Phone: 603 776 0123
  sandi@fictionforest.com

  http://www.fictionforest.com

  Categories: Audiobooks, Australian Books, Books From Small Presses, Children, Christian, Cookbook, Features, Fiction, Food, General, Health, How-To, Humanities, Library, Lifestyle, Literature, Mystery, Non-Fiction, Pop Culture, Reference, Religion, Romance, Sci-Fi/Fantasy, Serials, Travel/Hospitality, Video, Women, Psychology/Mental Health, Biography, Parenting, Thriller/Suspense, eBooks, Theater, Politics, Film History, African-American Fiction and Nonfiction , Financial

• Christian Perring, Ph.D.
  Metapsychology Online Review
  c/o Philosophy Dept
  Dowling College
  Oakdale , NY 11769
  Phone: 631-244-3349
  metapsychology@mentalhelp.net

  http://mentalhelp.net/books/

  Categories: Art, Audiobooks, Books From Small Presses, Fiction, Gay/Lesbian Fiction, Gay/Lesbian Non-Fiction, General, Health, Humanities, Literature, Metaphysical, Mystery, Pop Culture, Sociology, Women, Young Adult – Children, Psychology/Mental Health, Biography, Parenting, Comics, Science

• Puala Rohrlick
  KLIATT Young Adult Paperback Book Guide
  33 Bay State Rd.,
  Welesley, MA 02481
  Phone: 781-237-7577
  kliatt@aol.com

  http://www.hometown.aol.com/kliatt

  Categories: Young Adult – Children

• Geoff Rotunno
  the boox review
  PO Box 211
  Santa Ynez, CA 93460
  geoff@thebooxreview.com

  http://www.thebooxreview.com

  Categories: Art, Audiobooks, Australian Books, Computer/Internet/Technology, Junior College Books, Books From Small Presses, Children, Children’s Religion, Christian, Cookbook, Features, Fiction, Gay/Lesbian Fiction, Gay/Lesbian Non-Fiction, Food, General, Health, How-To, Humanities, Library, Lifestyle, Literature, Marketing, Metaphysical, Mystery, Non-Fiction, Poetry, Pop Culture, Reference, Religion, Sci-Fi/Fantasy, Serials, Sociology, Spiritual, Travel/Hospitality, Video, Women, Young Adult/Children’s, Psychology/Mental Health, Biography, Parenting, Thriller/Suspense, Theater, Politics, Film History, African-American Fiction and Nonfiction , Financial, Self-help, Writing, promotion & publishing, Inspirational/Motivational, Business, Comics, Gardening, Science, Education, History/Political Comments: Seeking review copies of all genres except romance.

• Beverly J. Rowe
  myshelf.com
  102 Copper Lane
  Kenai, AK 99611
  Phone: (907) 283-2840
  bevbooks@aol.com
  Categories: Children, Cookbook, Fiction, Food, Literature, Mystery, Non-Fiction, Young Adult – Children, Biography, Thriller/Suspense, Writing, promotion & publishing, Education, History/Political. Prefers hard copies.
• J.B. Scott
  Sydney, NSW 2148
  ctf_editor@iprimus.com.au

  http://www.geocities.com/ebook_review

  Categories: Australian Books, Computer/Internet/Technology, Books From Small Presses, Children, Fiction, Mystery, Non-Fiction, Romance, Sci-Fi/Fantasy, Thriller/Suspense, eBooks E-mail all review requests to ctf_editor@iprimus.com.au with “REVIEW REQUEST” in the subject header.

• Sandra Simmons-Maike
  Freelance
  Rt. 2 Box 152
  Alma, KS 66401
  Phone: 785-765-3861
  sandcogroup@aol.com
  Categories: Audiobooks, Books From Small Presses, Children, Cookbook, Fiction, Food, General, Library, Lifestyle, Marketing, Mystery, Romance, Sci-Fi/Fantasy, Serials, Young Adult – Children, Thriller/Suspense, eBooks, Self-help. Include time deadline.
• Roger Sutton, Editor
  Horn Book Magazine
  56 Roland Street, Suite 200
  Boston, MA 02129
  Phone: 617-628-0225
  Categories: Children, Young Adult – Children
• Niki Taylor
  Freelance
  nat0607@hotmail.com

  http://www.suite101.com/welcome.cfm/book_reviews

  Categories: Books From Small Presses, Children, Christian, Gay/Lesbian Non-Fiction, Health, Non-Fiction, Pop Culture, Sociology, Spiritual, Travel/Hospitality, Women, Young Adult – Children, Psychology/Mental Health, Biography, eBooks, Theater, Film History, Self-help, Writing, promotion & publishing, Inspirational/Motivational, History/Political

• Anna Serra i Vidal
  Aledaños. Boletín electronico y crítico de literatura
  Eiximenis, 6
  Sant Pere de Ribes, Barcelona 08810
  Phone: + 34 93 896 25 04
  aserra@ctv.es
  Categories: Children, Cookbook, Fiction, Literature, Mystery, Women, Young Adult – Children, Thriller/Suspense, eBooks, Writing, promotion & publishing, Education
• Christopher Warner
  EFP – Spratt Publishing
  4924 Balboa Blvd
  Suite 304
  Los Angeles, CA 91316
  Phone: 818-881-7053
  efp@dslextreme.com
  Categories: Art, Audiobooks, Australian Books, Computer/Internet/Technology, Junior College Books, Books From Small Presses, Children’s Book, Cookbook, Features, Fiction, Gay/Lesbian Fiction, Gay/Lesbian Non-Fiction, Food, General, Health, How-To, Humanities, Library, Lifestyle, Literature, Marketing, Metaphysical, Mystery, Non-Fiction, Poetry, Pop Culture, Reference, Religion, Romance, Sci-Fi/Fantasy, Serials, Sociology, Spiritual, Travel/Hospitality, Video, Women, Young Adult/Children’s, Psychology/Mental Health, Biography, Parenting, Thriller/Suspense, eBooks, Theater, Politics, Film History, African-American Fiction and Nonfiction , Financial, Self-help, Writing, promotion & publishing, Inspirational/Motivational, Business, Comics, Gardening, Science, Education, Scholarly, History/Political, Adventure, Nature, Horror, Photography
• Brenda Weeaks
  MyShelf.Com
  reviews@myshelf.com

  http://www.myshelf.com

  Categories: Audiobooks, Books From Small Presses, Children, Christian, Cookbook, Fiction, Food, General, Health, How-To, Literature, Mystery, Non-Fiction, Reference, Romance, Sci-Fi/Fantasy, Serials, Women, Young Adult – Children, Thriller/Suspense, Self-help, Writing, promotion & publishing, Inspirational/Motivational, Gardening

• Stephanie Zvirin
  Booklist/American Library Association
  50 E. Huron
  Chicago, IL 60611

  http://www.ala.org/booklist/

  Categories: Young Adult

Once a few book reviewers write about your book, other book reviewers will follow. Be prepared for these subsequent book reviewers. Have copies of your book ready to send out with your author packet.

Caterina Christakos is a children’s book author. To learn how to write a children’s book in 30 days or less go to: http://www.howtowriteachildrensbook.com

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Source: http://www.avidarticles.com/Article/A-Quick-Guide-To-Self-Publishing-Fiction-Works/527813

Written By: Pat Hutchinson

Every aspiring author who has struggled to have their work accepted by an agent or a publishing house – only to have collected enough rejection slips to paper a wall – turns to thoughts of self-publishing.

Harsh as it may seem, the onus of having to research on the steps and techniques in successfully publishing your own fiction would fall on you, the writer. But in any case, here are some tips – let’s start with POD, or print on demand, an up-and-coming alternative for writers who wish to have their works self-published.

You also need to do your own marketing if you’re publishing your own fiction. Knowing how can mean the difference in selling a few books as opposed to thousands. Your marketing needs to be as professional and flawless as possible.

Nobody wants to promote a book that is riddled with typographical errors or misspelled words, because they simply do not look professional, and the errors also make your work seem written for the sake of writing.

Depending on the genre of fiction you are writing, you can join online forums or discussion groups on the Internet. Be sure you search out these groups and become involved with them. This is a good way to make sure your finished product is as polished and professional as possible.

A signature is important whenever you send an email to someone online or respond to a bulletin board post. These files contain what you want other people to see when they read to the end of your email message.

The signature file can contain information about your work of fiction and where the reader can purchase it. This alone is a powerful advertising tool that can spread the word around really fast.

Print on demand works by printing and sending out the books only when there is a demand for them, thus saving you publishing and printing costs.

You could also pay a fee for vanity presses to print a certain number of books. After the printing, the author is free to market her fiction without the restrictive contracts required of mainstream publishing houses.

Once you’ve made a name for yourself self-publishing your books, then maybe you’re ready to go one step higher and enlist the help of those big publishing houses. It may be enough to rattle their cage and make them want to take a chance on you.

Article Source: http://www.avidarticles.com

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Source: http://www.avidarticles.com/Article/Making-A-Profit-Through-Publishing-Fiction-Books/529517

By: Bradley Duke.

Experienced fiction writers have come to accept that they probably won’t end up millionaires by writing books – and may even have a greater chance of winning the lottery. The success of writers such as Tom Clancy rarely happens.

The sad fact is, if you’re planning to go the traditional route and have a major publishing house take care of your work, your chances of earning serious cash are next to zero. So if you’re starting out in the publishing business, maybe using methods like print on demand would give you a better chance of financial success.

If you get lucky and a major publishing house thinks your work is worth publishing, then you can expect an advance based on the supposed predictions of what your book would earn. If your name is Tom Clancy or Stephen King, the advance could be a few cool millions, or if you’re just starting out, expect only a few thousands.

When the check is issued, it’s the author’s to keep, no matter how many sales of the book may occur. And once your book starts earning royalties, the publisher would deduct the monetary advance from the royalties earned to date.

Royalties are based on a percentage (usually between 4% and 8%). After the advance is subtracted from future royalties, the author will begin to receive a royalty percentage on every sale of the book.

$50,000 sounds like a reasonable figure if you’re a first-time writer whose book has just been published. Your overall sales would be the determining factor when negotiating for another book with the publishing house.

If you decide to use POD (print on demand) to publish your works, you will receive profits per sale rather than based on royalty percentages. If you’re able to sell a lot of books through the POD website, then you can expect to earn more profits than expected. The author can also purchase a number of the books from the web site and market them himself.

An e-book version of your work of fiction can also earn additional profits for you. It’s a high risk, high reward thing, because you can easily earn 100% profit from every sale – provided you know how the online marketing process works.

You can read up on several sources online if you wish to find out more about selling e-books. Selling books online is becoming an increasingly popular way to self-publish all types of writing.

Before you sell your works and hope for a healthy profit, there is one thing you need to do, and that is to research, research, research. Regardless of the method you choose to do your research, all the information is in front of you – all the help you need in becoming a financially successful writer.

Article Source: http://www.avidarticles.com

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Source: http://www.bookbuzzr.com/blog/book-marketing/the-eighth-and-biggest-book-marketing-mistake-assuming-everyone-likes-to-read/

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